Wednesday, 7 November 2012

I 've been watching different cartoons and animations, and was wondering what's a difference between producing techniques?! Some of those look realistic while others not.I read articles about animation and I'd like to to share with you!


Basically,There are four techniques used in animation. These are:
  • Drawn animation
  • Cut-out animation
  • Model animation or stop motion animation
  • Computer animation or computer generated imagery (CGI)

Drawn animation

This covers any form where one drawing is replaced by another in a sequence. Each drawing is slightly different from the one before. It works the way a flipbook does. These animated films are made up of thousands of drawings which are shown on screen very quickly one after the other.  It takes a very long time to film from start to finish and requires many animators to complete the work.

Cut-out animation

This covers any form of animation where cut-out shapes are moved around or replaced by other cut-outs. Flat objects like buttons, matchsticks and string can also be used in this form of animation. Cut-outs can also be laid on top of drawings.  It is very quick and easy to do but difficult to have more than one or two objects moving at the same time.  Cut-out animation can appear very stiff and awkward.

Model or stop-motion animation

Still from Chicken Run featuring the chickens couped together, hatching a plan. This involves the filming of three-dimensional models. The materials used could include plasticine, clay or wire - in fact anything that can be bent or formed into another shape. The puppets are positioned and filmed before being moved ever so slightly and filmed again. These shots are put together as a piece of film and will give the impression of the models moving.
Models can be used over and over again and copies made of them to shoot different scenes at the same time so that the filming takes less time.  This type of animation needs a lot of time and hard work. The makers of 'James and the Giant Peach' were only able to complete 45 seconds of stop-motion animation a week - 10 seconds a day. This was because each puppet had so many joints that needed moving for each frame - the centipede alone had 72!

Computer animation or Computer Generated Imagery (CGI)

Wire-frame model for CGI animation Bulit model for CGI animation This refers to the drawing of three-dimensional models and sets on the computer. Images can be scanned into the computer using digital photography or made within the computer itself. Human characters can be built from clay whilst sets and furnishings are modelled using design systems similar to architects drawings. These models are scanned into the computer as wire-frame models, which are gradually built up into a coloured and textured form. The wire-frame model (far left) was made on a computer before being built up into the character (left).
Computers have become cheaper and easier to use than traditional animation. The computer animated film 'Toy Story' cost $30 million to make and used 110 animators. 'The Lion King' using drawn animation cost $45 million to make and used 800 animators.
Hard job,huh?!

Monday, 5 November 2012

Photoshop Editing Tips Web Developers


9 Photoshop Editing Tips Web Developers Should Know
 These days I’m quite busy with designing my business website and watch heaps of tutorials to learn more about coding and photoshop skills.Sometimes I found interface designing more complicated than coding and programming!There are quite a few reasons why having basic Photoshop skills beyond slicing PSD’s to XHTML/CSS is essential to any web developer!!
1. Changing the background color of an icon
As a web developer, one of the most common tasks I encounter is changing the background color of an icon or making its background transparent.
Let’s take an RSS icon for example. RSS icons come in different shapes and sizes.

When you finally find the "perfect” icon, you sometimes need to modify it. One common issue is that if your site’s background color is one color and the icon’s background is another color, to make them seamlessly match, there is a little work we need to do to it.
If the image is in GIF format, I recommend converting it to PNG because they’re similar, but PNGs will usually be smaller in file size. Read about the pros and cons of using GIF versus PNG at W3C.
To do that, open the image in Photoshop, then go to File > Save for Web & Devices (Ctrl/Cmd + Alt/Option + Shift + S), then select either PNG-8 or PNG-24 under the Optimized file format drop-down on the right-side. You’ll have to see which one is better in terms of quality and file size.
Then close the original GIF file because we are done with it, and then open the image with the new format you have just saved.
Now if you look at your Layers Panel (if it’s not visible, hit the F7 key to toggle the panel’s visibility), you might see that there is a layer called Background.
Right-click on that layer, select Layer from Background from the menu that appears, and then click OK.
Second step: use the Magic Wand Tool (W) from the Tools Panel.
1. Click on the Magic Wand Tool.
2. Make sure that the Tolerance value is set to about 20 and that the Anti-alias and Contiguous options are checked as demonstrated below.

Then click on the white (or whatever color) background area surrounding the icon.
Make sure that the selected area doesn’t "eat" too much of the shadow below the icon. If it does, play with the tolerance value a bit (and reselect the background again with the Magic Wand Tool), until you get the desired result.

To delete the background color
To delete the background and make it transparent, simply press the Delete key to clear the area below the selection. Then save it again as a PNG by going File > Save for Web & Devices, making sure that the Transparency option is checked.
To change the background color
1. Click on your Foreground color, select the desired color from the Color Picker dialog window, and then click OK.
2. Click on the Paint Bucket Tool (G). If you don’t see the Paint Bucket Tool, right-click on the Gradient Tool icon and choose the Paint Bucket Tool from the menu that appears.
Then, click inside the selected are around the icon to apply the color you chose.

2. Selecting a layer with Auto-Select
Selecting a layer may seem obvious: you click on the layer’s name in the Layers Panel (press F7 if you don’t see it).
However, finding the relevant layer can be tedious when there are many layers in your work or if the layers aren’t named intuitively.
One option is to enable the Auto-Select option:
1. Click on the Move Tool (V) in the Tools Panel.
2. Choose Layer from the Auto-Select drop down.
3. Make sure to check the Auto-Select box.
After enabling Auto-Select, clicking anywhere in the canvas itself will activate the relevant layer.
3. Selecting a layer with Ctrl/Cmd + click
A second option for selecting a layer is to use the Move Tool (V)—leaving the Auto-Select option unchecked this time—and then Ctrl/Cmd + clicking on an object in the canvas to select a specific layer.
4. Isolating a layer
After selecting a layer, you may want to copy it to a new document where you can save it as a separate image.
One way to do it would be using the Crop Tool (C).
However, there is a quicker way that preserves the accurate size of that layer:
1. Hold down Ctrl/Cmd and click on the layer’s thumbnail. This should make an automatic selection around the objects in that layer.
2. Press Ctrl/Cmd + C (shortcut for Edit > Copy)
3. Press Ctrl/Cmd + N to create a new document. Photoshop detects the size of the layer you want to copy and creates a new document with the same size.
4. Click Ctrl/Cmd + V to paste into the new layer.
5. Copying a layer from one document to another by drag and drop
There are many ways to copy a layer or a group of layers from one PSD file to another. However, the easiest method is simply to drag and drop them.
1. Select a layer from the Photoshop document you wish to copy from. If you need to copy multiple layers, hold down Ctrl/Cmd and click on the layers in the Layers Panel.
2. Select the Move Tool (V).
3. Click anywhere in the canvas and drag the layers up to the tab of the document you want to copy the layers to.
The window will switch to the second document. Release the mouse button in the canvas where you wish to place the copied layers in the second document.
6. Refining a selection by contracting or expanding it
In the first tip, I demonstrated how to select the background of an icon. In some cases, the selection is inaccurate and you may want to expand or contract that selection from all directions.
First, to get a closer look at your selection, press Ctrl/Cmd + + which will zoom into your work.
Go to Select > Modify > Expand or Select > Modify > Contract.

Type the number of pixels you wish to expand or contract your selection by, and then click OK.

7. Using Layer Comps
When working with many layers, it is more efficient to capture different layer visibility states. In other words, it’s best to set a layer’s visibility to display only the layers you want to.
1. Display the Layer Comps Panel by go to Window > Layer Comps.
2. Click on the Layer Comps menu and select New Layer Comp or click on the Create a new layer comp button at the bottom of the Layer Comps Panel.

3. Type the name of your Layer Comp, check the Visibility option and click OK.
Toggle Layer Comps
To hide and show your layer comps, just click on the icon on the right side of the layer comp.

8. Basic image manipulation: changing colors
Another common task in Photoshop is duplicating a part of a layer for color changes or transformation.
Here’s an example. The following icon is used as a menu button:

How can you create a duplicate version of the house (only), and make it black and white? This is a situation that often occurs when you need to create mouseover effects on a web page.
1. Click on the Rectangular Marquee Tool (M).
2. Select the house on the canvas. Then press Ctrl/Cmd + J to duplicate it into a new layer.
3. Click Ctrl/Cmd + U to adjust Hue/Saturation for the new layer. Scroll the saturation left to turn the house to black and white.

The result:

Remember that you still have the colored version of the house. To view it, just toggle the duplicated layer’s visibility.
9. Using measurement tools
As a web developer, you often need to measure objects for pixel-perfect accuracy when rendered on a web page. A common example is calculating menu item sizes for creating CSS sprites.
Here are two methods to measure elements:
Rulers (Ctrl/Cmd + R)
1. Click, hold, and drag from the top left corner of your rulers towards the canvas.
2. Release the mouse button where you want to start the axes.
3. Zoom in (Ctrl/Cmd + +) to view finer increments of the rulers.
Tip: To change the measurement units of the rulers (from inches to pixels for example), double- click on the ruler itself to open the Units & Rulers Preference dialog window (or go to Edit > Preferences > Units & Rulers) and select the desired measurement unit.

The Ruler Tool (I)
1. Click on the Ruler Tool’s button on the Tools Panel (if you don’t see it, right-click on the Eyedropper Tool and switch it to the Ruler Tool).
2. Click and drag from the start to end-point that you wish to measure.
3. Check the width and height indications.



Good Luck!!

Friday, 2 November 2012

Today I would like to introduce an amazing website which I found it so useful. The website http://www.deviantart.com/ art is a good source because Artists and Amateurs still learning can upload there work not only is there some really great talent on their which is good for inspiration but viewers also have the ability to leave feedback to help the artist make their work better or give them tips for next time.So, if you are interested in photography and learning more about that that would be a good idea to have look at this link.
Have fun!

Sunday, 14 October 2012

Madagascar 3


I’ve watched a lot of animated films over the last few years. Some, such as Animals United or Open Season, get one or two viewings before being forgotten for good. A select few, however, get watched over and over again. Some of these include Cars, Rango, and the Madagascar films. And while I know the kid loves them, I personally find Madagascar and Madagascar: Escape 2 Africa both very entertaining films that are just as much for adults as they are for kids. Madagascar 3: Europe’s Most Wanted continues this trend and is the best of the bunch when it comes to fun.
Picking up where Madagascar 2 ended, Alex, Marty, Gloria and Melman are still stranded in Africa and need to find the Penguins in order to get back to New York City. They track them down in Monte Carlo, make a big scene at a casino trying to get to them, and are now being hunted by the evil animal control officer, Captain DuBois. On the run they end up taking refuge on a circus train. One thing leads to another and they’re soon performing in the circus themselves with hopes they’ll be sent on tour to perform in America.
No question, Madagascar 3: Europe’s Most Wanted features beautiful animation that’s on par with the best Pixar film. It’s bright and colourful and very slick. The 3-D, especially during the circus scenes, was incorporated well and helped make the film truly pop. It might not be the Best Animated Film of the year, but it is a visually superb romp.
Ben Stiller, Chris Rock, Jada Pinkett Smith, and David Schwimmer all return to voice the main characters and all do just as good a job as ever, especially Rock who has definitely made Marty the zebra the star of the show among the young demographic (the Afro Circus bit he does is still in my head). Joining the cast of regulars is Frances McDormand as Captain DuBois, Jessica Chastain as the cheetah Gia, Bryan Cranston as the Russian tiger Vitaly, and Martin Short as circus seal Stefano. The additional voices and characters are all quite funny and the young ones in the audience absolutely ate them up.
There are a lot of silly moments in Madagascar 3 that might annoy some adults and make them write the film off as childish junk. I found more adult-themed jokes this time out and laughed a lot more than I did during the previous films. In the end though, it was what my son thought that mattered and he loved every moment of it and can’t wait to see it again.
... and again Hotel Transylvania

While it won’t be much of a game changer in terms of animated children’s storytelling, Hotel Transylvania entertains effectively. It will easily keep youngsters engaged, it looks wonderful, and it’s easily the best thing Adam Sandler has put his name on in ages.
After building a remote castle to protect his daughter and provide refuge for monsters wanting to hide from humans, Count Dracula (Sandler) wrestles with his now teenaged (at 118 years old) charge’s desire to see the outside world. During her birthday party, however, an unwanted, dimwitted, Dave Matthews loving American human (Andy Samberg) turns up and nearly ruins everything for the vacationing monsters and Dracula while striking up a relationship with the birthday girl (Selena Gomez).
Plot wise, the film (co-written by Robert Smigel) plays to Sandler’s strengths and to the type of film he’s more widely known for making these days. Still, it’s nice to see him play the straight man to Samberg’s crazy guy, and the love story between Samberg and Gomez is really sweet. Powerpuff Girls creator Tartakovsky also creates some stunning visuals with a constantly moving camera to create a real sense of scope and place. The outcome of the film never once feels in doubt, but it’s still fun while it lasts.

Monday, 8 October 2012




Tim Burton’s Frankenweenie debuted weakly last weekend in fifth place with $11.4 million. The opening is significantly lower than Burton’s last stop motion feature, The Corpse Bride, which debuted with $19.1M in 2005.
The opening of Frankenweenie concludes this year’s great stop motion experiment. It was the third high-profile stop motion feature this year, following Aardman’s The Pirates!: Band of Misfits and Laika’s ParaNorman. None of the three films were able to crack a $15 million opening. In fact, no stop motion feature has ever had an opening north of $20 million. It begs the question, Are stop motion films simply incapable of grossing as much as CG or has no one ever made a stop motion film with mass audience appeal? In a year with more stop motion features than usual, it’s a question worth considering.
Meanwhile, Genndy Tartakovsky’s Hotel Transylvania is on its way to becoming one of Sony’s biggest animated hits. The film dipped a modest 36% in its second weekend, grossing $27.1M and pushing its U.S. total to $76.7M.

New Canon EF Lenses

Rumours and News about Canon Lenses

For several years I've been collecting information and links for Canon's new EF lenses and rumours about even newer ones. This page shows the latest information I've been sent or found on the web. I've also written numerous articles and reviews covering lenses and photography related issues. BTW If you're a lens maker who supplies lenses in EF mount and wants me to look at a potential lens review, then just give us a call?
It includes other makes of lenses that catch my attention too. Detailed information about some current lenses can be found on specific pages via the main rumours index.
Previous years rumours are archived 2006-2008 | 2008 | 2009 | 2010 | 2011
Over the years I've received all kinds of lens rumour info - some more believable/risible than others. Please do use your own judgement when reading the stuff here, and remember that what I've collected here is for entertainment as much as anything else. Oh, and that 42mm f1.0 lens that you can see at the right is a fake...
Two tables of information that may be of interest are included here. The date codes article is in our blog.